When on the society site, please use the credentials provided by that society.If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.Do not use an Oxford Academic personal account. When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Rulers’ images played an important role in diplomatic strategy their display advertised current and past political alliances and suggested the direction of future policy, while portrait gifts and personal interactions with portraits during diplomatic audiences created political intimacies, established confidences, and helped to maintain relations in strained circumstances. Diplomatic art operated within a ceremonial and symbolic system where even small distinctions were imbued with considerable significance and where reciprocity, honour, prestige, magnificence, friendship, and concepts of gift-giving were crucial components in constructing its diplomatic meaning. Far less appreciated are the prevalence of portrait exchanges between European monarchs outside of marriage negotiations and the diplomatic uses made of these, and other, royal portraits.

Historians have long appreciated the role of portrait exchange in early modern royal marriage negotiations. Transfered at Studio 2:s Kontrollrum, Sverige Radio, February 9, 1972.Portraits of rulers, medals, and other images of politicians were widely used within early modern diplomatic practice. Released as Musica A 8813.ī6: Recorded at Konserthusets Lilla Sal, Stockholm. Released as Telefunken A 5332.ī5: Recorded at Musikaliska Akademin, Stockholm. Released as Musica A 8741.ī4: Recorded at Konserthusets Lilla Sal, Stockholm. Released as Telefunken A 5261.ī3: Recorded at Musikaliska Akademin, Stockholm. Released as Musica A 8813.ī2: Recorded at Konserthusets Lilla Sal, Stockholm. Released as Telefunken A 5224.ī1: Recorded at Musikaliska Akademin, Stockholm. Released as Musica A 5332.Ī5: Recorded 1941 at Konserthusets Lilla Sal, Stockholm. Released as Musica A 8741.Ī4: Recorded at Konserthusets Lilla Sal, Stockholm. Released as Musica A 8814.Ī3: Recorded at Musikaliska Akademin, Stockholm. Released as Musica A 8815.Ī2: Recorded at Musikaliska Akademin, Stockholm. The catalog# is printed as 'TR 11111' on cover and spine but as 'TR 11 111' on the labels.Ī1: Recorded at Musikaliska Akademin, Stockholm. Trumpet – Arnold Johansson (tracks: A1 to A3, B1, B3, B5), Gösta Pettersson* (tracks: A5, B2, B6), Gösta Redlig (tracks: A5, B6), Gösta Törner (tracks: A1, A2, A4, B1, B2, B4, B5), Putte Björn (tracks: A3, B3), Rune Ander (tracks: A4, B4), Thore Ehrling.Trombone – Georg Vernon* (tracks: A1, A2, A4, A5 B1, B2, B4 to B6), Lennart Johansson Jältfors (tracks: A3, B3), Sverre Oredsson* (tracks: A1, A2, B1, B5).Tenor Saxophone – Carl-Henrik Norin (tracks: A1 to A4, B1 to B5), Kurt Blomquist* (tracks: A1 to A5 B1, B3 to B6), Erik Andersson (3) (tracks: A5, B2, B6).Guitar – Folke Eriksberg (tracks: A5, B2, B6), Sven Stiberg (tracks: A1 to A4, B1, B3 to B5).Drums – Gösta Hedén (tracks: A1, A2, A4, A5, B1, B2, B4 to B6), Henry Wallin (tracks: A3, B3).Bass – Hasse Tellemar (tracks: A1 to A3, B1, B3, B5), Thore Jederby (tracks: A4, A5, B2, B4, B6).Baritone Saxophone – Stig Gabrielsson (tracks: A1 to A3, B1, B3, B5).Alto Saxophone – Casper Hjukström (tracks: A4, B4), John Björling (tracks: A1, A2, A3, A5, B1 to B3, B5, B6), Ove Rönn.

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